The streets of Taiwan are decorated with Chinese characters of all styles. Some scrawled in chalk on boards next to street stalls and cafes. Others neon and glowing from a great height. During my time in Taipei, I tried my hand at Chinese calligraphy, with master calligrapher Teresa Kung.
Before getting stuck into the painting, we prepared the ink. A part of the process that felt ritualistic - like the preparation before a tea ceremony. The ink is made by grinding a solid inkstick on a polished stone with a small amount of water. The inkstick is traditionally made with soot and a binding ingredient. Incense was sometimes added to give off an aroma during the process.
Characters that represents a word or phrase, such as those used in the Chinese language and Japanese kanji, as known as logograms. There is a technique and an order to their painting.
As well as picking up some of the basic skills of the craft, I learned about the evolution of the characters, from early stone carvings to cursive script, and the social and political changes that shaped them.
The finished paintings are stamped with a small Chinese seal - a practice that dates back to the Shang dynasty (1600 – 1046 BCE).